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Released in 2016, Appa is a Tamil-language drama directed by Samuthirakani. Known for its emotional depth and social relevance, the movie delves into the complexities of parenting and the impact it has on children’s lives. With a focus on family values and life lessons, Appa strikes a chord with viewers of all ages. This review will explore its plot, strengths, and overall impact, making it clear why this movie remains a standout in Tamil cinema.
Plot Summary
Appa revolves around three fathers and their distinctly different parenting styles. Dhayalan, portrayed by Samuthirakani himself, embodies the ideal father—loving, encouraging, and supportive. In contrast, Singaperumal, a strict disciplinarian, believes in authoritarian parenting. The third father, Nadunilaiyan, is indifferent and detached. The film showcases how these varying approaches shape the lives and futures of their children, delivering a profound message about the essence of good parenting.
What’s Good?
Powerful Performances
Samuthirakani delivers a stellar performance as Dhayalan, bringing authenticity and warmth to the character. Supporting actors, including Thambi Ramaiah and Namo Narayana, add depth to the narrative with their convincing portrayals.
Strong Direction
Samuthirakani, both as a director and actor, shines in this film. His ability to weave a socially relevant story with emotional undertones keeps the audience engaged. The screenplay is tight and impactful, leaving no room for unnecessary subplots.
Thought-Provoking Themes
The film’s core message—the importance of understanding and nurturing children—is its greatest strength. It challenges societal norms and advocates for compassionate parenting.
Soulful Music
Ilaiyaraaja’s music elevates the emotional quotient of the movie. The background score and songs beautifully complement the story, making key moments even more poignant.
Captivating Cinematography
Richard M. Nathan’s cinematography adds visual appeal to the narrative. The natural settings and well-composed frames create an immersive experience for viewers.
Strengths and Weaknesses
Strengths
- Emotional Connect: The movie’s ability to evoke genuine emotions makes it a memorable experience.
- Realistic Characters: The characters are well-rounded and relatable, making the story more impactful.
- Social Relevance: The film’s message resonates with viewers, encouraging introspection about parenting styles.
Weaknesses
- Preachy Tone: At times, the narrative leans towards being overly didactic, which might not appeal to all audiences.
- Predictable Plot: While the story is engaging, some elements are predictable and lack novelty.
Target Audience
Appa is a family drama that appeals to parents, educators, and anyone interested in stories about human relationships. Its universal themes make it suitable for audiences across age groups. However, those seeking action or comedy might not find it as engaging.
Box Office Details
- Total Budget: The movie was made on a modest budget of approximately ₹5 crore.
- Worldwide Box Office Collection: Appa grossed around ₹20 crore worldwide, making it a commercial success.
- Day-Wise Earnings (India and Overseas):
- Day 1: ₹2 crore
- Day 2: ₹3 crore
- Day 3: ₹4 crore
- Day 4: ₹3 crore
- Day 5: ₹3 crore
The steady earnings reflect the strong word-of-mouth publicity and the film’s appeal among family audiences.
Recommendation
Appa is a heartfelt movie that highlights the importance of empathy and understanding in parenting. With its compelling performances and socially relevant message, it’s a must-watch for those who value meaningful cinema. If you’re looking for a film that touches your heart and leaves you with valuable lessons, Appa is the perfect choice.
Genres:
Drama
Rating:
7.5/10
Cast:
Actor | Character |
---|---|
Samuthirakani | Dhayalan |
Thambi Ramaiah | Singamperumal |
Namo Narayanan | Nadunilaiyan |
Vinodhini Vaidyanathan | Singamperumal’s wife |
J Vignesh | Vetrieeswaran |
Nasath | |
Aadhira Pandilakshmi | |
Pa. Vijay | Special appearance |
Yuvasri Lakshmi | Neelanandhini |
Gabriella Charlton | Rashitha Banu |
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